In the past year we’ve witnessed a number of very impressive 3D mapping experiments from independent artists’ initiatives like Gorillaz to awesome visual performances for by big brands such as Ralph Lauren, Samsung, Mattel and Nike. These methods may not be groundbreaking in technology, but the scale of this project and the creative direction along with the intensity of the images has us quite in awe. “Adidas is all in” is the new Adidas campaign launched last Wednesday at the “Palais du Pharo” in Marseille, France.
A film produced for his final year Masters in Architecture, Keiichi Matsuda projected about the social and architectural consequences of new media and augmented reality. In this second installment of his hyper0reality, Keiichi digs deeper into his creativity to give a better idea to the direction we are likely to see AR go in the near future. An environment merged with media space, and architecture taking on new roles related to branding, image and consumerism. You may have seen his earlier installment visualization of AR (hyper)reality “Domestic Robocop”
N1.0 architecture is a visual installation.
The video was shot during the event NODE.10, a festival of electronic music and digital arts that was held in Modena. The network projected onto the façade of Palazzo Santa Margherita is distorted by the sound emittet during the live performance of the artists.
The Kinect’s open-source PC drivers allow coders to have their way with the hardware, and we’ve already begun to see interesting things coming from the community. On NPR last Friday, a company spokesman said that wasn’t an accident: Microsoft left the USB connection open by design.That could be a retcon—or it could be the truth—but it’s nice to hear Microsoft be so welcoming of third-party drivers on the hardware, especially since the announcement was made in such a public forum. And we already have a real-time lightsaber demo… and that’s pretty much wicked.
This video was produced for the module “Digital Studio” at the Bartlett’s Adaptive Architecture and Computation Msc. An Android based phone sends OSC data to a processing sketch, controlling a “Manipulator” that interacts with a cloud of agents and modifies its configuration. The result is finally exported and rendered.
The power of a photograph has been diluted due to its ubiquity, resulting in audiences with shorter attention spans. Photographer Javier Lovera and installation artist Simon Rojas combine photography and video in a single image with two purposes: reveal and extend the viewers’ diminished attention span.